In Shadowtime Jim Reilly explores how the great Victorian and Edwardian works of literature can be read in the light of current radical historiography, which foresees the extinction not just of art but of history itself. This is an outstanding combination of original readings and critical survey. Shadowtime is ideal material for anyone studying nineteenth-century realism, modernism and the history of aesthetics.

In "Shadowtime" Jim Reilly asks questions about literature's relation to the cherished principles of history: origination, historical reconstruction, possession and the very concept of Reality. Taking up Adorno's assertion about the crisis of 20th-century art and its inability to represent historical events, Reilly searches for the roots of this problem and its articulation within the works of Hardy, Conrad and George Eliot. Drawing on the theories of Benjamin, Foucault, Hegel, Lukacs and Nietzsche, the author constructs a powerful argument across the entire period of historicism's triumph and decline.

Prince, Pink Floyd, Metallica, Toto, James Taylor, Keith Richards—these stars and thousands of others all owe a debt of gratitude to Rob Turner who revolutionized the electric guitar and bass. Chasing Tone tells Rob Turner’s story from humble beginnings rewiring his father’s transistor radio components to founding EMG and, finally, to the world’s largest concert stages. Jim Reilly provides a wealth of fascinating insights by weaving together many exclusive interviews with top artists and colleagues, including James Hetfield, Kirk Hammett, and Robert Trujillo of Metallica; legendary session musician Leland Sklar; Vernon Reid of Living Colour; Victor Wooten; Béla Fleck; Nili Brosh; Jim Root of Slipknot; and guitar builders Mike McGuire and John Carruthers. Along the way, Reilly not only sheds light on the history of the electric guitar and bass and how EMG pickups forever altered their course but also explores the elusive relationship between builder and creator, showing how these artists found their sound. This book takes a deep dive into the creative process while providing a history of popular music told from a side of the stage previously underexplored.

James Connor discovers an alien spacecraft buried along with the remains of early human ancestors, which sets in motion a crisis of human beliefs. The conflict between religion and science -- a timeless debate -- fuels the story, as humans explore the greatest questions of time: who are we, where did we come from, and what is mankind's role in the universe? James' actions make him an unwittingly pawn in an Evolution involving our earliest ancestors, ancient aliens, and the future of us all.